Belonging: Past Hsc Student’s Draft

The need to belong is a human pheno custodyon that is the netherlying ca play usage of of our actions. As humans, we search for uni engineer-minded people with whom we thunder mug make a whiz of ourselves as people. This is a fruit of the fact that be is integral to the institution of whizzs identity operator. However, a sense of be is practic plainlyy achieved by following a track of mania. Similarly, lunacy leads to disillusion with that (verbose line) which iodine erstwhile believed in. revealing Now directed by Francis Coppola, earth-closet Steinbecks Tortilla Flat and irradiation Skrzyneckis poetry only potbelly with these three di custodysions of belong.Belonging and acceptance is integral to the formation of iodins identity. Peter Skrzyneckis poem 10 bloody shame course illustrates the security and comfort that is a product of a sense of be. In this case, it is a sense of belong to a family act that occurs daily at number 10 Mary Street. The mundan ity of the r unwrapine provides stability and familiarity. Skrzynecki uses sequence frames much(prenominal) as 5pm and For nineteen old age to establish a sense of repetition and order in the readers mind.Collective pronouns such(prenominal) as we evince coaction and inclusion in the family sphere. This family inclusivity allows the poet to establish his identity at an early age in a place in which he belongs, as shown when he describes him wandering in the garden after school. The metaphor like a hungry bird shows (avoid utilise show repetitively) him to be curious and tearing. It connotes a healthy organic childhood. In the atomic number 16 stanza of the poem, Skrzynecki uses images of growth and nurturing to suggest a benignant family environment and a sense of belong to the land.The quiet hum-drum of daily pieces, such as washing clothes and gardening, suggests that the theatre of operations and Skrzyneckis p atomic number 18nts r bely transmute. This conjures an image of immense effectiveness and solidarity. Skrzynecki establishes his childhood headquarters as an endure sphere of safety. He does this by per paroleifying the house in its china-blue coat as a friend and part of the family. The denture is a place in which to remember their graduate heritage. The repetition of the line for nineteen eld illustrates the length of time that his family have been give homage to their ancestry to as they unploughed pre-warf are Europe live. The use of the graduate say Kielbasa not besides adds authenticity and insight to the poem exclusively reinforces the idea that, though Skrzyneckis family has moved a steering from war-worn Poland to Australia, they slake firmly belong to their smooth heritage and there is a tie beam for them and their family through with(predicate) which to establish their identities in their refreshful land. The poet mourns the passing of his childhood and the destruction of the home in which he learnt the n ature of ontogeny up caught between two nuances and the falling out between the historic and the future. This notion is to a greater extent all over explored in Apocalypse Now.Col geniusl Kurtz was the pride of the American Military Command. Having broken from the decrepit and bollocks school of thought that was the US army, Kurtz establishes his god-like territory over a clan of quasi(prenominal) natives in the jungles of Cambodia. His character extrapolates all issues touch America as a nation, from war crimes to environmental stability. In one of the swell-nigh compelling panoramas of the acquire, Kurtz expresses his thoughts to Willard, one of the first Americans he has encountered since his dissent. He handles of his son at home and his fear that if he were to be killed, his son would not understand his fathers actions.At this point, the extended close up sapidity of Kurtzs face, half shrouded in darkness, changes approximately as he moves nurture into the l ight. This verbalises that Kurtz still holds onto the hope that his son will one day add up to understand his identity and why he acted in the way that he did. Kurtz is not ashamed of his actions because ultimately, he has fully formed his identity. First he was transformed on the battlefields of Vietnam by the final stage and ignorance he encountered/witnessed and then again in the jungles of Cambodia amongst the natives and free thought.Therefore, both 10 Mary Street and Apocalypse Now in effect explore the concept that acceptance and belonging are integral to the formation of ones identity. A sense of belonging is achieved by following a direction of alienation. In unsettled Hostel, Skrzyneckis family struggle to establish themselves in a refreshing land. Skrzynecki delineates the sense of alienation that the migrants have towards the easement of Australia. The sealed off mettlesomeway demonstrates the insularity they feel from the rest of the country.The simile of ros e and fell like a flip demonstrates that they do not feel welcomed or accepted in their new land, barely are constantly reprimanded, like a naughty child. The line needing its sanction demonstrates how the migrants are enslaved to the entrapment they feel in the hostel. They need channel to continue living in a manner that doesnt reflect their culture or beliefs. This alienation from their culture and freedom renders each migrant unimportant and attempts to supplant their sense of personal identity and belonging. However, it is because of this alienation that they achieve a sense of belonging and identity.Nationalities found each other establish on their accents and the town they came from. Inside the hostel, they financial backing the memory of their home and culture alive though they are haunted by the memories of hunger and hate that destroyed their countries. Skrzynecki uses the simile like a homing pigeon to connote the strong sense of survival and solidarity divided u p by the migrants. The homing pigeon is a subsister that travels great distances. Skrzynecki uses a reoccurring report of birds end-to-end this poem as they have connotations of freedom and migration.This dimension of belonging is hike up explored in John Steinbecks smart Tortilla Flat. Danny, Pilon, deli trulyman Maria, Pablo, Pirate and Big Joe Portagee are half Spanish- Mexican, misfits who form a sodality of drunken antics that centre alone about the home they all share in Tortilla Flat in California. The book is written in an only episodic fashion to fit with the fiction that Steinbeck creates, comparing the six men to business leader Arthurs Knights of the Round Table. However, instead of knights in shining armour, they are the unruly and boisterous men upon whom the community of Monterey frown upon.Therefore Steinbeck creates a paradox within this novel because whilst this brotherhood is the only place that the men honor a sense of belonging, it is too their l ink with each other that renders them unacceptable to radiation pattern society. Steinbeck quite obviously uses the technique of having his characters speak in language befitting the Elizabethan era. This reinforces the notion that they are all fall from the grace of a former bread and butter not mentioned in the novel, but they are fallen in concert. It is withal a clear-cut way from separating the adopted brothers from those in universal society.It heightens not only the sense of unreality that permeates the whole book but also the sense of alienation from the exterior adult male. The brothers eat, make happy wine, sleep and occasionally venture out to do good deeds for those around them. They live by an entirely selection concept of time, space, possession and love. The growing sense of belonging that develops through the novel is conveyed through the slow gathering of the six men to form the brotherhood and the corresponding travel action. Once they are all convened u nder a banner of bemused freedom, Danny states, we are presently as one, as neer such men have been before. severally member is crucial to the groups dynamic and therefore to each various(prenominal) members sense of belonging. This is conveyed at the last of the novel when, after Dannys funeral, the house that was their home accidentally catches ignition but instead of trying to carry out their one worldly possession, the men allow it to burn to the ground and then go their separate ways. The last words of the novel are no two walked together conveying that the bonds of brotherhood had been broken and that it was only with each other that they belonged.Therefore, both Migrant Hostel and Tortilla Flat effectively convey the idea that belonging is reached by a trail of alienation. Alienation leads to disillusion with that which one once believed in (is there a different way to express this? ). Skrzyneckis poem In The Folk Museum describes the experiences of the poet as he be comes increasingly alienated from his heritage. afterward describing his parents typical migrant experience in Migrant Hostel, the poet now finds himself unable to empathise with a historical that is not his own.The use of first person not only allows the responder to bind on a deeper level with Skrzynecki, but also highlights the fact that he is just in his musings about a past that he does not fully comprehend. In turn, this adds to the bleakness of an already melancholic poem. The caretaker of the museum represents everything that alienates Skrzynecki from his Polish heritage. She is knitting and has grey hair demonstrating that she is a relic herself and incongruent to contemporary society, just as Skrzynecki views his dying past.The simile of shivery as water further illustrates that the poet no longer empathises or has any mad connection to the events of his past. Although it is not as promptly referred to in this poem(weak expression) as in others, In The Folk Museum a lso conveys how the poets disillusionment with his past leads to a sense of belonging with his present. The use of personification in the reverse taps hurriedly communicates not only the poets frustration but also the determination of the outside world to instigate him of the pointlessness of his reminiscing about his Polish heritage.The use of alliteration in I leave without wanting a final aspect conveys his speedy exit as well as his eagerness to regain the world outside of the museum, where he belongs. This notion of disillusionment is further explored in Francis Coppolas film Apocalypse Now. Captain Willard, an American military officer fighting in the Vietnam War, believes wholeheartedly in the US army and Hesperian nicety as a whole. He belongs to war. At the beginning of the film, Willard is off duty in Saigon and recounts one of his trips home.The use of direct lecturing narration adds depth and authenticity to Willards character. He states Id turn on up and thered be nothing. Every minute I choke in this room, I get weaker and Charlie gets stronger. The deferred payment to the Vietcong warriors implies that Willard is more at ease when he is fighting in Vietnam. His alienation from approach pattern society is further conveyed by a montage of images of war superimposed with Willards face. The non-digetic music of The End by The Doors plays, with lyrics such as the west is the best that further illustrates Willards faith in the American way of carriage and war.However, at the conclusion of this montage, Willard is left naked and bleeding, wrapped in a torn sheet and screaming on his hotel room floor, a high angle shot highlighting his vulnerability. This scene is purposely designed to alienate the consultation from the character and connotes the detrimental effect that Western refining is having on him. The repetitious rigmarole of a soldiers bearing is communicated through the undershot of the turning caramel brown in Willards room. He stares up at it from the bed, implying that he is physically and mentally dominated by his life and routine as a soldier.As Willard travels further and further up river in search of Colonel Kurtz, he reads increasingly on Kurtzs life and the events that have led him to the insanity that the US army now deems dangerous. Willard experiences more of the US armys arrogance, blood-lust and drug use and becomes steadily disillusioned with the entity that he primed(p) his faith in. Everything that is wrong with Western civilisation is represented through the arrogant banknote Kilgore who infamously states I love the smell of Napalm in the morning. As the boat travels further up river, there is a distinct change in lighting. Before Willard boards the boat, there is a reoccurring motif of brightly coloured flares. The television camera pans directly in front of the plumes of red, common land and yellow smoke so that they form a veil over the scenes of battles and noncombatant deaths. However, once up river, the lighting becomes softer, greener and more defined. There is a distinct overlook of smoke. This implies that Willard is travelling both physically and mentally away from the chaos of Western civilisation and heading deeper into Kurtzs state of mind.Finally, Coppola uses the reoccurring motif of extreme close up shots on the faces of Willard and Kurtz. He does this to communicate that these two men are not necessarily similar but that they represent contrary facets of one human entity. The extreme close up shots of Willard and Kurtz show them to both be shrewdly serious men who have come to empathise with the same point of view. However, they are distinctly contrasted. Willard is often sweaty, dirty, constantly fastball whereas Kurtz is pristine, unchanging and aloof.This signifies that they will never be able to emulate the virtues of the others character that they themselves are deficient. Therefore, both In The Folk Museum and Apocalypse Now reveal themselves to be texts in which the view that alienation leads to disillusionment is explored. For humans to find where they unfeignedly belong, they must be placed outside of their comfort zone. They must travel beyond what they have before and thereby find something in the world, in others or in themselves that gives them a sense of belonging.Peter Skrzyneckis poetry, Apocalypse Now directed by Francis Coppola and John Steinbecks novel Tortilla Flat all successfully explore differing dimensions of belonging such as the necessity of belonging to formation ones identity, that belonging is reached by a path of alienation and that alienation leads to disillusionment. (just check over your section on Apoc Now it is very good, however ensure you are explicitly referring to belonging I would suggest that at the moment it is implicit and of course make sure you use the words of the distrust in your answer)